There are certain constants that we never want to see shaken because they offer us the quality work we so desperately need, while at the same time taking us back in time like an informal time capsule. And usually, these time capsules take on a positive connotation over time due to the nostalgia of the whole thing. That’s where I personally place Rob Zombie. We’re talking about a musician, or rather an artist (since he’s involved in so many things), with a completely unique identity and aesthetic who left his mark on the 90s and, why not, the early 00s. In fact, he has continued to release remarkable albums all these years, continuing his own tradition of experimenting while maintaining his musical core intact. This is what “The Great Satan” is all about.
We are talking about an album that contains all the trademark elements of Rob Zombie’s sound as it was shaped (mainly) in “Hellbilly Deluxe” and “The Sinister Urge.” Industrial, groovy rhythms with sharp guitars, anthemic refrains, and all this through a 50s horror aesthetic. In this sense, every Zombie album—including “The Great Satan”—could easily be the soundtrack to a cult movie. In other times, in fact, the album would probably have achieved great sales and would have been played by the most famous DJs in the world. Oh well…
“The Great Satan” proves the obvious. Rob Zombie is a great artist. One of the last pioneers of a generation that left an indelible mark on music with his vision. Guaranteed!
Highlight: “Tarantula” is a huge hit…
Sakis Nikas
