11 long years since “Broken Bones” was a long time for all of us, the unrepentant Dokken fans. Sure, a lot has happened in that time. Some good (e.g. reunion of the classic lineup), some bad (e.g. Don’s ongoing health problems). But the one constant throughout the years has been Don’s vision to carry on despite undeniable adversity and weaknesses. And yet, another album is in our hands…and that’s saying a lot!
Those who have given up on Dokken in the 80s or even the mid-90s and are waiting to hear another “Under Lock And Key” better stop reading here. This is 2023, right? “Heaven Comes Down” may not claim laurels of originality in terms of its title but it’s another remarkable work from Dokken continuing the informal tradition of the very good “Lightning Strikes Again” and “Broken Bones”. Predictably the album is based on mid-tempo moments with Don putting his soul into it despite the fact that his voice is not what it once was. However, just hearing that tone automatically transports you back to the 80’s and the legendary Sunset Strip. Once again, guitarist Jon Levin is excellent, making up for all the die-hard fans who rightfully yearn for Lynch. Don’s lyrics bring out a lot of emotion and in parts are autobiographical while the absolute highlights for me are the first two singles (“Fugitive”, “Gypsy”), “Just Like A Rose” (a classic Dokken track) and the acoustic ballad “Santa Fe” that closes the album and I think it also reveals a willingness of Don to close his recording career with this song. May I be proven wrong!
“Heaven Comes Down” is a good album that stands decently next to Dokken’s illustrious and almost flawless catalogue. Does it reach the masterpieces of the band’s first decade…? Not even close but then again, what does it matter? On the other hand, what matters is that Don and the rest of the band members worked hard on the album and the result does them justice and satisfies the Dokken fan base.
Highlight: Mark Boals does backing vocals on the album.
